I picked up best-selling Irish author Tana French’s books a few weeks ago to check out this
adult thriller writer. I’d heard good things about the writing, her latest
book, Broken Harbor is on several
“best books” lists––and I love reading (and writing) thrillers. It wasn’t until
I started the second book, The Likeness,
however, that I realized she was going for a similar premise with her work as my Harlequin Teen’s WiHi series: linked books that are stand-alone
thrillers.
Cool! Linked books, or companion books, are books in which
there is always a new protagonist. Characters (and sometimes settings) from one
novel appear in the next. However, each book has a definite ending. You can read them in any order and still enjoy each one.
It’s a fun way to create a "series"—without creating a series that must be read sequentially, with the same main character in each novel. Most adult
thrillers are centered around this specific character; usually a private eye––Sue Grafton's Kinsey Milhone comes to mind–– or a police detective like Irish-American author Mickey Spillane’s Mike Hammer (don't you just love this
cover?)
It’s a
great way to create reader buy-in. Since the main character’s job automatically
leads to a suspenseful situation in each book, there are instant plot take-off
points. It’s also fun to watch the characters change over the course of the
series. Character growth, however, is not the main point of each book—it’s the
thriller aspect that is primary.
In Tana French’s books, the continuing “character” is, in
actuality, the Dublin police force–-not anyone specific. What she’s doing is
playing a kind of leapfrog—a character who makes an appearance in one book
becomes the main character in the next.
Her books also have psychological complexity (along with
some gorgeous writing and great plotting). I would venture to say that is
possible precisely because of the fact that there is a new protagonist in every
book. A new backstory, a new family situation, new boyfriends and breakups… a
new main character brings lots of things to explore. If you have to “play it out”
over many novels, the impact is much weaker per book. Thus, having a linked series gives French the opportunity to explore character in the way many thriller series do not allow.
In terms of realistic YA, there are not, of course, “professional”
jobs as detectives or private eyes that allow a continuing teen to run into dire straits all the time. Going “linked” seemed to be the
best road for me. In the Wihi series, the school takes the place of French’s
police force and each protagonist has to solve her own mystery in her own way.
As a writer, it was a way to create some familiarity (the school, Brooklyn
Heights, Tony’s Pizzaria), as well as having characters in one book reappear in
the other.
As a reader, it’s fun to see Tana French do the same
thing –to say, "hey, I know you" when a minor character in one book becomes the
main one in the next. Or to find out that the sometimes jerky head of the
Undercover squad is really a much deeper character, with a fascinating
backstory, who becomes not only the focus of the next book, but a much more
sympathetic character in that following book.
So readers, what do you think? Linked or sequential? Does it matter -- as long as the book thrills and makes you turn those pages? Do you find one more entertaining than the other? Just something to think about...
Next time: the importance of setting in a linked series.
1 comment:
Susan Brockman has written many series this way, leap frogging characters. It's a popular concept that many other authors have capitalized on. Good luck, Carol.
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