Showing posts with label writing experiment. Show all posts
Showing posts with label writing experiment. Show all posts

Friday, July 5, 2013

Better Productivity through Murdering Dandelions


This isn’t one of those posts where gardening is used as a metaphor for the writing process.

Not that there’s anything wrong with those kinds of posts. I may not be much of a gardener, but even I can see that these comparisons are usually very apt and interesting. You know the kinds of metaphors I’m talking about: Give the seeds of your idea time to grow. Tend your plot carefully to makes sure everything blooms. Beware the aphids of poor subject-verb agreement.

Indeed, you can probably guess that I allow one gardening metaphor to rule most everything I write: pile on lots of fertilizer.

But, no, that’s not what this post is about. This one is literal, and it’s about what I do when I need a break from the keyboard. It’s also about a new/old gizmo, because gizmos are fun.

Writing requires sitting down for hours and hours and hours. The trouble is that our bodies evolved to move around all day long, not to stay seated. Did you know that our prehistoric ancestors probably walked 20 miles a day? The “paleo-diet” doesn’t compare to the “paleo-workout.”

Aside from causing eye-strain, sitting and staring at a screen can also drag down our alertness and creativity. The human mind can certainly travel farther in a day than our bodies ever could, but it can go farther still with a bit more blood flow.

This summer, I’ve instituted a 25 minute timer while writing. Every time it goes off, I have to stand up and go do something for at least 60 seconds, even if it’s just reaching for my toes. But my favorite thing is to run out to the yard and murder dandelions.

My dandelion-murdering capability recently skyrocketed when I found the ultimate weed-wrecker at my local hardware store. I used to have one like it, but it broke, and for years I never saw any others of its kind. Sure, I tried some other styles, but they didn’t do much other than poke the ground a little and try to give the dandelions a guilt complex. That’s not what I wanted: I wanted raw mechanical leverage.


This baby clamps the weed beneath its leaves and yanks it right out of the ground, usually taking the whole root with it. No evil chemicals, no bending over, and no mercy for the weed. POP! Up comes one weed. POP! POP! In five minutes, I’m ankle-deep in dandelion corpses. It gets completely addictive: I’m actually starting to worry that I’ll run out of dandelions in my yard.


Root and all!

Ever watch the Big Bang Theory? You might remember the episode where Sheldon was working on a tough physics problem, so he tried to free his higher brain functions by seeking out the most menial tasks to occupy his lower functions. Naturally, he assumed that everyone else’s jobs were the most menial, and comedy ensued.

If Sheldon had one of these weed pullers he might have saved himself some time. After popping off a few weeds, I always end up with a better idea of what to write next and how to say it. That think-time lets me get down deep, almost like I’m pulling at the root of my story and characters while I’m pulling at the roots of the dandelions.

OOPS! That was a gardening metaphor for writing. How’d that get in there?


Be good, and dream crazy dreams.

Sechin Tower is a teacher, a table-top game designer, and the author of Mad Science Institute. You can read more about him and his books on SechinTower.com and his games on SiegeTowerGames.com

Tuesday, January 31, 2012

An Experiment | No. 2

by Brett

Before returning to the experiment, a quick note of BSP. My latest adult thriller, NO RETURN, hits bookstores today! Yep, today. Here's a quick description:
An F-18 Navy fighter careens out of the blue sky above the Mojave desert. A TV cameraman who grew up in a small town just miles away can see what is going to happen next. Frantically, Wes Stewart races to the downed jet and tries to save the pilot’s life. When the plane explodes, Wes escapes without harm—and plunges into a murderous conspiracy.

It’s been fifteen years since Wes has been back to the desolate land of his childhood. Now he finds himself up against the U.S. military, the local police, and someone who is tracking his every move. In the moments he spent with the dying pilot, Wes discovered something that could get him killed. But while he tries to untangle a web of lies and secrets surrounding the crash, another danger is stalking him. And this one he will never see coming.

You can read the first chapter here. Thanks!

I now return you to my regularly scheduled post:

Okay, a quick refresher...I've decided to use my posts here at ADR3NALIN3 to develop and write a YA novel using your input. (Read more here: An Experiment | No. 1.)

Last time we discussed genre, and I asked for your input as to which you'd like to see me work in. Now, as I hinted at before, this isn't going to be a complete democracy. I'll be taking in your thoughts, but will make the final decision (for the most part) myself. The majority of people who responded seemed to be leaning toward Thriller. There were several votes for detective, some for real world sci-fi, and a few for real world fantasy. The rest were scattered around.

So, after considering everything, here's what I'm thinking: I'm going to blend a few of these together. No, this isn't me taking the easy way out. I just think it would be more fun. So here's where I'm at.
• Thriller, check.
• Detective, semi-check (leaving this one open until the story develops some.)
• Real World Sci-fi, probable check.
• Real World Fantasy, probably not, but leaving the door open also.

A thriller with a mystery to it, that's first and foremost. Over this will be a real world sci-fi architecture, or, potentially, a real world fantasy architecture. (And, yes, there's always the possibility of those two combining.) Cool with everyone?

All right. So I'm not quite ready to start working out plot yet. What I need first is some characters to build around, specifically a lead character(s). While a book might have a good story, without good characters, it's going to suck, plain and simple. Character is everything, so that's where we're going to start.

To do that, I need to make some choices...rather, I need your help in making those choices. I have a few different questions that need your responses to. Unlike with genre, I'm going to go with the majority rule on these and see where that takes me. So, here we go. First:

1. What kind of lead is this story going to have?
a. Female
b. Male
c. Female and Male duo
d. Female and Female duo
e. Male and Male duo

Just so you know, I enjoy writing both female and male characters, so don't let that worry you. Plus I think there are some great stories out there that have dual leads—working as a team, or even coming at a problem from different directions.

Let's keep going...

2. Age? (can have two different answers if you went the duo route)
a. 16
b. 17
c. 18
d. 19
e. older (specify)
f. younger (specify)

3. Life growing up?
a. Single parent home
b. Dual parent home
c. Raised by relatives
d. Foster child
e. other (specify)

Let's give our lead (or one of our leads) something they're really into.

4. Obsession?
a. Music (specify type)
b. Movies (specify type: sci fi, comedies, james bond, etc.)
c. Manga
d.TV shows (specify type: obscure, cop drama, 70s sitcoms, etc.)
f. Other (specify)

I could keep going with these, but I think that's enough to get us started. Looking forward to what you have to say. And never be afraid to add any additional comments, too!