We are a society that loves high
concept. Agents hunt it, editors want it, directors demand it. That translates
to thousands of writers banging at computers across the country trying to write
it. One problem is that the definition isn’t always clear. I was having lunch
this week with two writer friends, a screen writer and a Sci-Fi novelist. We
tried on definitions of high concept, but as soon as we thought we had a sleek
fit, one or the other of us objected. It was as bad as trying to find a pair of
good fitting jeans. As we regretfully discarded each definition one by one, I
thought of it as the literary equivalent of “that makes your butt
look fat.” Did I mention that the two other writers are male? They
would have a different analogy, I’m sure.
So what is the elusive definition of
high concept? Agent Nathan Bransford says in a post a, “hook that we can easily understand and
digest."
John Truby, in The Anatomy of a
Story says: "high concept. . . means the film (story) can be reduced
to a catchy one-line description that audiences will instantly understand and
come rushing to the theater to see."
It sounds like they’re describing
this year’s politics: complex problems reduced to sound bites, one sentence
solutions with the difficult bits left out. No wonder our society loves high
concept.
"But what about substance?
What about beautiful writing, fresh ideas? Can high concept be all that?" I asked.
"What about William Carlos Williams?"
my SciFi friend asked?
so much depends
upon
upon
a red wheel
barrow
barrow
glazed with rain
water
water
beside the white
chickens.
chickens.
I wanted
to say I didn’t know SciFi writers read poetry, but I kept my mouth shut. He
had a point. A short idea, but deep. The catchy one line phrase might belie
writing of substance. The sleek fit. The pants are looking better. But still there was something missing. I wasn’t ready to buy
yet. The fit still wasn’t perfect.
In the post,"High Concept Writing
the Michael Crichton Model," seemaxrun says, “Extreme” and “first” define “high
concept.” Ah, writers must take “what if” and stretch it as far as it will go.
What if we could clone dinosaurs? Extreme might be a good word to include.
So we tried a new style: High concept
is a story idea taken to the extreme that resonates at a gut level, appeals to
a wide audience and is easily described in a single sentence that begins with
What if. . .
I got my wallet out.
Sci-Fi guy wanted a tighter
fit. “An idea so big yet so simple, it screams: why didn't I think
of that?”
I’m ready to buy, but you can be
honest, does this definition make my butt look fat?
2 comments:
Very interesting to think about. High concept is another one of those "I know it when I see it" things.
I just finished reading Matt de la Pina's I WILL SAVE YOU. I would definitely call it high concept, but it has layers and layers upon layers. One might be able to describe it in one sentence and most people would instantly get it, but the one sentence would never do the book justice. Writing a novel is getting across a single, central idea, but every chapter, every line, every word is necessary to convey that one single thing.
I love your comment. Nothing wasted. Everything builds the concept.
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